Congratulations. Congratulations. Conductor Anthony Parnther is also out on the stage now with the rest of the Gateways Music Festival Orchestra. The Gateways Music Festival is getting ready for its Carnegie Hall debut. This is Carnegie Hall Live. degrees in piano performance from Juilliard. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. 3. Another first for this concert by the Gateways Music Festival Orchestra. The Gateways Music Festival Orchestra makes history as the first all-Black orchestra to feature at Carnegie Hall in the venue's 130-year-history, Harlem World Magazine reports. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. Mary also enjoys teaching private trumpet lessons with students from ages 10 - 94! The Eastman School of Music was founded in 1921 by industrialist and philanthropist George Eastman (1854-1932), founder of Eastman Kodak Company. Pleasure to talk to you. That is the first time that piece has been played on stage here at Carnegie Hall, by an orchestra also making its Carnegie Hall debut in this special event. Jeff: A great big deep bow and a warm welcome to this Carnegie Hall audience. 56a; George Walkers Sinfonia No. THE COOPER UNIONFrederick P. Rose Auditorium41 Cooper Square (3rd Avenue at East 7th Street) New York, NY 10003. It would come up. Eric Davis, DMA, Horn | Eric Davis leads a diverse musical . What was the idea there? I should have asked you that before this began, but I'll lay it on you anyway. this new work also is credit offered in the program to orchestrator Matt Wong. All rights reserved. I would love to see this orchestra record especially literature that has been under-recorded or not recorded at all by underrepresented composers. We did that in Rochester also a couple of days ago when we presented this program minus the Batiste work. Here are your tickets. Berry holds a B.M. A terrific program today bookended by two sets of variations. The African cloth comes out and no two people look exactly the same. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. We're talking of the depression years in America, a work in four movements meant to evoke music from African American tradition. The project sought to, " . BRUNO WALTER AUDITORIUMNEW YORK LIBRARY FORTHE PERFORMING ARTSLincoln Center111 Amsterdam AvenueNew York, NY. The Sphinx Organization, based in Detroit, supports young Black and Latinx musicians, the Gateways Music Festival in Rochester features musicians of color from around the country, and the . Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. Yes. General Admission. Black Lives Matter. Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. Learn More In the Know with GFO Young Artists Program LEARN MORE Children's Outreach George Walker composed it in 2003. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Gateways Music Festival is grateful to the following institutions, foundations and governmental agencies for their generous support of the 2022 Gateways Music Festival. Music Director The Gateway Festival Orchestra of St. Louis Home Music Director Darwin Aquino, Music Director Darwin Aquino joined the Gateway Festival Orchestra as Music Director in 2019. It's our national anthem. Since then, musicians have been eagerly performing this real treasure trove of music. Right now, the stage door opens and back out to center stage here at Carnegie Hall, strides the conductor Anthony Parnther to lead this first performance at Carnegie Hall of George Walker's Sinfonia No. We know that it is, and that's what we're doing. Enjoy the show. This is the intermission of this concert, the Gateways Music Festival Orchestra. It's a beautiful moment. He also told us they want to be a resource for the larger community. It was wonderful to see you turn and conduct the audience in that final piece as well. I thought you were going to say George Gershwin because what strikes me is the similarity to the, -did not have fully finished at the time of the world premiere, and famously in the written score for the conductor, wrote the words, "Wait for a nod.". Although certainly, his most famous piece is the Lyric for Strings. For a complete listing of Gateways events, repertoire and artists plus ticket purchase information, visit the Gateways web site at: www.gatewaysmusicfestival.org. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. It's a work for piano and orchestra. She created Gateways. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. We don't actually have a complete score for the second. The two pieces are musical cousins and were actually intended to be so. See locations and times below. The African cloth comes out and no two people look exactly the same. There are parts that are written out, and then, there are parts that he will improvise. Last week I spoke to Carl Craig, who is one of the pioneers of the second wave of Detroit techno, who played here as part of Carnegie's Afrofuturism festival. All right. The concert concludes with James V. Cockerhams Fantasia on Lift Every Voice and Sing, a rousing and epic musical journey from Africa to the new world which has become the signature piece of the Gateways Orchestra. She had this great idea to provide a safe affirming space for classical musicians of African descent. Celebrating over two decades of music making, the Grammy-nominated Imani Winds has led a revolution and evolution of the wind quintet that inspires audiences of all ages and backgrounds. "The first time I played in an all-Black orchestra was at . As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. John: It is interesting that you went to Mozart and Beethoven. This concert is part of his perspective series. There are some elements of truth to that, but what's happening in a concert hall is not just a celebration of Brahms and Walker and Batiste and Price, but it's also a celebration of the audience. Not since the start, but since 2001. There was an assembly of musicians and people here within the organization that very carefully crafted this program along with Michael Morgan. His answer was, "I felt that Carnegie Hall, that places like that were not meant for people who looked like me and it was important to make that step and to be seen on that stage. Of course, personally, I would love to see this orchestra come together more frequently. It takes active participation to do that. (University of Rochester photo / J. Adam Fenster) Leading the Hollywood Studio Symphony in recording sessions, he has conducted many international feature film and television projects including Star Wars: The Mandalorian, Tenet, Little, American Dad, The Hunt, Fargo, The Way Back, The Night Of, Ghostbusters: Afterlife, Encanto, Star Wars: Book of Boba Fett, and Ice Age: Adventures of Buck Wild. John: This program has an almost built-in encore, which is a work by James V. Cockerham Fantasia on Lift Every Voice and Sing. To many Black musicians, the Gateways Music Festival represents a welcome haven from the isolation many face in their working lives. Next performances this artist is scheduled to appear at: This artist has no upcoming performances - yet! The conclusion of seven days of performances in New York City. Jeff: Pleasure to talk to you. Paul J. Burgett Lecture SeriesBlack Idioms in the Music of Florence B. The members of the Gateways Orchestra are heading back out on stage at Carnegie Hall. I believe she's 84-85 years old. You'll receive the most up-to-date information about our musicians, venues and performances delivered right to your email inbox. Our satisfied clients include youth, high school, college, university and adult groups, including church and alumni tours. Lee: I think it is very much Jon. Description. is sacred to my community. GUEST ARTISTS: MARIAN ANDERSON STRING QUARTET92ND STREET Y | 7:30 PM, GATEWAYS BRASS COLLECTIVETHE METROPOLITAN MUSEUM OF ART | 5:30 PM, GATEWAYS PIANO QUARTETTHE MORGAN LIBRARY & MUSEUM | 7:30 PM, GUEST ARTISTS: HARLEM CHAMBER PLAYERS STRING QUARTETSCHOMBURG CENTER FOR RESEARCHIN BLACK CULTURE | 7:30 PM. Because of limited seating capacity in the Rose Auditorium, we urge you to get your tickets as soon as possible. Gateways Music Festival Orchestra 2023 tour dates. The conclusion of seven days of performances in New York City. Gateways Music Festival Orchestra Anthony Parnther, conductor Jon Batiste, piano and composer. to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. We're talking of the depression years in America, a work in four movements meant to evoke music from African American tradition. We purposely did not do it in Rochester because we wanted this to be the world premiere. Does that resonate with you? I want to come back to Jeff's first question to you, which was about the significance of being here. 3 in C Minor and Sinfonia No. When Gateways musicians walk out on stage, a new line of inquiry a new conversation is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. 1 in E Minor); and the orchestras signature closing piece, Fantasia on Lift Every Voice and Sing, by African American film and classical music composer James Cockerham. John: I want to come back to Jeff's first question to you, which was about the significance of being here. 2023 New York Public Radio with high distinction from the Eastman School of Music and M.M. In 2015, Anthony was profiled by Los Angeles' KCET/TV as a "Local Hero" for his extensive community outreach and advocacy for the performance of works by Black, Latinx, and Women artists. At least that's the case with her first, third, and fourth symphony. 7 PM Stern Auditorium / Perelman Stage Read More Saturday. HATCH RECITAL HALLEastman School of Music433 East Main StreetRochester, New York. She was part of the inaugural class of the Artist Propulsion Lab at WQXR. Featuring Johannes Brahmss Variations on a Theme by Haydn in B-flat Major, Op. George Walker was the first Black composer to win a Pulitzer prize in music that was in 1996 for his piece, . In fact, the third movement is called Juba, which is a type of body percussion and dance that was widely found in musical traditions of enslaved Afro-Caribbean people. That'll be the next work on the program. That was cemented well before I became involved. There are parts that are written out, and then, there are parts that he will improvise. That feels like the two-fold idea of Gateways too. As soon as we hear that cord progression, our congregation stands, and we sing. Alex: Sure. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. Before everyone dressed all in black, second half, everybody has a splash of color. I think that's really a significant thing that's happening right now in real-time. The most recent Gateways Music Festival took place in April 2022 in both Rochester and New York City and featured seven days of performances, panel discussions, lectures, film showings and more before a live audience of nearly 7,000 and a live radio audience of more than 100,000. He's also just won an Oscar-. Okay. Michael Morgan, conductor. 2022 Gateways Orchestra 2022 Guest Artists & Chamber Music Musicians Gallery Listen Gateways Radio Stream . Instead of a minuet or scherzo with trio you got a Juba. I asked him what was it like to be at Carnegie Hall. Alex: Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. Event unsuitable for children. Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. Click on individual event for more information and to purchase tickets. J. 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